Signs of the Self

  • David Williams

Abstract

The function of the monster as a sign (monstrare, to show) that warns against intellectual surquedry is an intellectual tradition reaching down from the third-century theologian Pseudo-Dionysius. Overly confident images of the self are shattered, often violently, by the monstrous negations that confront them. A discussion of two classic monsters, the doppelganger and the hermaphrodite, attempts to illustrate this by examining their appearance in three literary texts: Dostoyevsky’s The Double, Flannery O’Connor’s Temple of the Holy Ghost, and the Neil Jordan film The Crying Game.

Keywords: monsters; self-image; Pseudo-Dionysius; Dostoyevsky; Flannery O’Connor; Crying Game

Image: Warhol's Marilyn Monroe Diptych (1962)
Published
May 28, 2014
How to Cite
WILLIAMS, David. Signs of the Self. Semiotic Review, [S.l.], n. 2, may 2014. Available at: <https://www.semioticreview.com/ojs/index.php/sr/article/view/20>. Date accessed: 23 june 2017.
Section
Articles